Thanks to the efforts of preservationists like Philippe Villeneuve, chief architect of historic monuments, the cathedral has been rebuilt nearly exactly as it was before the fire. The interior is most transformed since the walls, stained glass, paintings, and sculptures were all cleaned and restored for the first time since the 19th century. All the furnishings have been replaced, and sculptor and designer Guillaume Bardet was committed to creating a new altar and various liturgical items, including a new baptismal font and massive bronze altar. (The original stone altar was crushed as the collapsing spire plunged to the main floor.)
Much of the structural repairs will not be readily apparent to visitors, most notably the cathedral’s attic and roof, which were rebuilt with new hand-hewed timber trusses fixed in place by pegged mortise-and-tenon joints. One modern improvement: “Fire-resistant trusses at the crossing will isolate the spire and the two transept arms from the nave and the choir, so a fire can never again race through the entire attic,” Robert Kunzig wrote in the NatGeo article. “Should flames break out in this space, misters distributed throughout the attic will help suppress them until firefighters can climb hundreds of stairs.”
A photographer speaks
National Geographic was granted special access throughout the reconstruction process and tapped van Houtryve to capture everything in photographs and video footage. Ars caught up with him to learn more.
Designer Guillaume Bardet was hired to create a new bronze altar and pulpit, among other new liturgical furnishings.
Credit:
Tomas van Houtryve for National Geographic
Ars Technica: How did you get involved in documenting the cathedral’s restoration in photos/video?
Tomas van Houtryve: My journey in documenting the restoration of Notre-Dame de Paris began with an incredible opportunity through National Geographic’s partnership with Rebâtir Notre-Dame de Paris. I’ve always been drawn to the intersection of history and architecture, and I immediately knew I wanted to be a part of this project. It just so happened that through National Geographic and Rebâtir, I was able to perfectly combine my passion for visual storytelling with my deep connection to the city. Being entrusted to capture such a monumental effort felt like a natural progression in my career as a photographer—challenging, inspiring, and deeply meaningful.
